Each of the artists we work with make us Boundless. Here you can get to know them better.
Robert is a director / theatremaker based in London.
Theatre includes: Personal Statements [rehearsed reading], Background Noise [rehearsed reading] (National Theatre); Bullring Techno Makeout Jamz, Virtue (The Bunker); The Derek Smith Show (Karamel Club); phroot sahlad (The North Wall / Lyric Hammersmith/ Camden People’s Theatre); Lockout, Roost (The North Wall); The Lost (Young Vic)
Associate director: WE KNOW WHAT WE MAY BE [Artistic Associate](Barbican)
Assistant director: “Daddy” – A Melodrama (Almeida Theatre), Fairview (Young Vic), Let Kilburn Shake (Kiln Theatre), The Slave (Tristan Bates Theatre); The Trial (Young Vic).
Robert is a member of the Boundless Advisory Group and was recently on the Board Shadowing Programme run by Artistic Directors of the Future.
Nina Cassells is an actor, writer and co-founder of Project Period. She has previously worked at Shakespeare’s Globe, The Yard Theatre, and is currently part of the Royal Court’s playwriting group. Her monologue ‘142 days’ is due to be published at the end of this year, as part of Team Angelica’s collection of speeches.
Jack Donoghue is an actor and writer based in Manchester and London. He has appeared as a series regular on Grantchester, as well as having performed in shows such as Gangs of London and Holby City. He has written and performed the show ‘Grey Matter’ at the Edinburgh Fringe, and written, produced and performed the short ‘Autonomy of Being’ with Gaze productions. He is currently finishing a BA in economics at the University of Manchester
Autonomy of Being: https://www.gaze-productions.com/autonomy-of-being
Kc is a writer and actor based in SW London. Her scene ‘What We Tell Our Children’ was written and performed as part of the Almeida Theatre’s 2020 digital festival, ‘Shifting Tides’.
She is a recent acting graduate of the National Youth Theatre’s Playing Up company and is a Young Theatre Maker with London Bubble Theatre Company. She has just finished a project with London Bubble to develop and perform an original monologue ‘Tell Us Something Interesting’ as part of their film series ‘South London Stories’ which will go live on 11th of February.
Jane Morris is a 21 year old transfeminine writer and director based in the South West. Her previous work includes the Eddie and NSDFE award nominated Spring Awakening: A Reimagining, and the Liverpool Fringe Best New Writing award winning 10 Days That Shook The World. Her play Nude has been shortlisted for the Through The Mill prize, and she is also a writer on Season 1 of the podcast Folklore.
Sadhana is a member of the New Vic Youth theatre, working on projects such as the 2019 National Youth Theatre Connections show ‘The Sad Club’ and Heritage Lottery funded Dorothy Clive project. She’s also a contributor on the Voice magazine, an online platform for young people interested in art, culture and politics.
James Nash is a director and writer. He runs the company anorak and has previously worked at Camden People’s Theatre, Zoo Venues and the Gate Theatre.
I’m Lewis and I am currently studying BA (Hons) Performance, Politics & Society at Goldsmiths, University of London. I work across a number of cabaret and community arts settings, including a current project with Greenwich Theatre and theatre company ‘wipe your feet theatre’ where we explored self acceptance and body image through drag. I am an aspiring academic and arts therapist who aims to research and develop new ways of thinking about cabaret practice. I question how it can be used in new settings, such as participatory/community arts, education and arts based therapies. Unless I am frantically running around with my books flying everywhere, you can probably find me chilling in a charity shop with a green tea in hand.
Yasmin Morgan is an Indonesian-Australian multidisciplinary artist, finishing her Digital Arts Computing degree at Goldsmiths College. She is often attracted to the juxtaposition of nature and artificiality, through the meshing of colour and synthetic form. Her recent practice is concerned with the fabrication of culture, the corpus of collective ‘data’ we hold as a society, and the possible imagined futures afforded by the latent space of Machine learning algorithms.
Nadia Hirsi is an aspiring British-Somali Theatre practitioner, performer and film director. Her passion lies with exploring the suffocating nature of Black femininity and telling stories of radical female friendship. Her current medium of work is poetry and prose, which is currently exploring the unique experiences of an Afropean coming-of-age. She is also in her third year of an undergraduate degree in Drama and Theatre Arts at Goldsmiths college.
Sarah-Louise Davila is a recent, South London based, Filmmaking graduate from Kingston University, now specialising in audio editing, Foley, music and sound design. She aspires to work with sound in all media, ranging from TV and film through to games and radio, experimenting with its endless capabilities.
She aims to produce immersive and lasting audio, welcoming the creative challenge of bringing worlds to life through sound.
Sarah-Louise will be pursuing further post-graduate study in Sound Design as a Masters.
Fin Ross Russell is one of the original members of the Boundless Theatre Advisory Group and has been delighted to support the organisation in several different unique and exciting capacities over the course of the last four years. Fin is also the co-founder of Island Life Productions, having founded the company with his sister in 2011. Since then, he completed his BA in Drama, Applied Theatre & Education from the Royal Central School of Speech & Drama. Following a year working at Chichester Festival Theatre as the theatre’s Education Assistant, Fin moved up to Edinburgh where alongside running the company, he is a freelance workshop facilitator for Edinburgh City Council, LYRA & Strange Town. He is the co-director of the UK Centre of the International Theatre Institute and communications director of the organisation’s Network for Emerging Arts Professionals
Emilia has been a part of the Boundless Advisory Group for over a year now. Since completing the Certificate of Higher Education at East 15 Acting School in 2018, she has spent the majority of her time creating. Now training at MN Academy, Emilia spent her time in lockdown writing and developing stories and spoken word pieces, as well as composing music.
Prior to lockdown, Emilia worked as a Drama Teacher at multiple local drama schools across Ealing, including Questors Youth Theatre and Yourstage Drama.
When she was 13, Emilia spent two years performing in Jonathan Miller’s production of La Boheme with the English National Opera at the London Coliseum.
Emilia is also currently constructing her own series of short devised pieces, which incorporate her musical compositions with pieces of spoken word and physical theatre.
Clíona Malin is an Irish theatremaker and director based in London. She is interested in creating new work that is exciting, politically-charged and relevant to a contemporary audience. She wants to challenge and interrogate boundaries in both form and content. Clíona graduated from Brunel University London with a BA in Theatre and English, and her dissertation research area was collaborative contemporary feminist directing. She has experience in creating immersive, multimedia and ensemble theatre. Clíona is a member of the Boundless Advisory Group.
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