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2019/20 Company

We work with a great many artists over the course of a year, you can get to know them here.

Natalya Martin Boundless Accelerator Artist

Natalya Martin is an actor, multi-sensory practitioner and theatre-maker. Her goal is to make work that is fully accessible, relatable and of quality, for and with people with disabilities. She is the co-founder of theatre company FEEL Theatre, which specialises in creating sensory stories, shows and experiences.

Nouveau Riché Boundless Accelerator Artists

Winners of the 2018 Edinburgh Stage Award and The Untapped Award, Nouveau Riché is a multi – disciplinary arts production company. Previous theatre credits include Queens of Sheba, Chateau Marmont and Book of Actions. Their objective is to discover, nurture and produce unique stories that are culturally inclusive, with a keen scope on work that is both educational and entertaining.

Produced Moon Boundless Accelerator Artists

Produced Moon are an interactive, digital theatre company working at the intersection of theatre and gaming, based between London and Glasgow. Recent work includes Switchboard, The Inventors Squad and Electric.

https://www.producedmoon.co.uk/

@ProducedMoon

Ryan Gilmartin Boundless Accelerator Artist

Ryan Gilmartin is a multi-disciplinary actor, theatre maker and video DJ. He has made work for the National Theatre, Royal Exchange Theatre and Sheffield Theatres.

Charlotte Josephine Playwright

Charlotte Josephine is an actress represented by Hatton McEwan Penford, and playwright represented by The Agency. She’s co-artistic director of Snuff Box Theatre. Graduate of the Contemporary Theatre Course, East 15 Acting School, Charlotte’s first play ‘Perffection’ won a NSDF Commendation For Writing. ‘Bitch Boxer’ won the Soho Theatre Young Writers Award 2012, the Old Vic New Voices Edinburgh Season 2012 and the Holden Street Theatres Award 2013. ‘Bitch Boxer’ is published by Oberon Books and is performed internationally.

Charlotte’s latest play ‘Blush’ enjoyed a sell-out run at Edinburgh Fringe Festival 2016, winning a Stage Edinburgh Award. ‘Blush’ is touring nationally in 2017, starting at London’s Soho Theatre in May. Charlotte’s new monologue ‘Blue’ has been awarded the National Octagon Prize by the Bolton Octagon, where it’ll be performed in June. Charlotte has also recently won the BBC Screenplay First Award.

Jane Fallowfield Director

Jane Fallowfield has directed new plays including ‘Germ Free Adolescent’ by Natalie Mitchell (young audiences in Medway), ‘Bird’ by Laura Lomas (Derby Theatre, Hackney Showroom and on tour), ‘Fingertips’ by Suhayla El Bushra (Clean Break), ‘Cosmic’ and ‘Spacewang’ by Tom Wells (Hull Truck), ‘The Only Way is Chelsea’s’ by Frazer Flintham (York Theatre Royal and Soho Theatre) and ‘Lagan’ by Stacey Gregg (Ovalhouse). She is the Literary Associate at Talawa Theatre Company. Previously, Jane was Director on Attachment at Clean Break, Director on Attachment at Birmingham Rep (John Fernald Award) and Senior Reader at Paines Plough.  Jane is a mentor for Graeae Theatre Company and she has been on the script panel for the George Devine Award panel, BBC Writersroom and Channel 4 Screenwriting Course.

Matthew Robins Composer & Musical Director

Matthew is a multi-disciplinary artist from the West Country. His work includes animation, puppetry, short films, sculpture, and music, and he regularly tours with his band, performing stories about animals, death, monsters, the ocean, and love.

As a film-maker Matthew has recently made stop-motion music videos for Passenger, Sivu, and Led Bib, as well as animations for the Barbican, Opera North, Dumbworld (Peter, Lily and the Nose, winner of the audience choice award at the Capital Irish Film Festival), Tori Amos (The Light Princess at the National Theatre) and Phil Collins (Tomorrow is Always Too Long, for the 2014 Glasgow Commonwealth Games).

Matthew’s recent work for theatre includes writing and performing Flyboy is alone again this Christmas, and Lullaby – both for the Barbican, and designing and making puppets for Something Very Far Away for the Unicorn Theatre, A Most Peculiar Wintry Thing for the Ark in Dublin, and Laila – a new musical at Watford Palace Theatre.

Matthew recently directed and designed an adaption of Ted Hughes’ The Iron Man for the Unicorn Theatre in Southwark and a collection of Matthew’s animations, songs and mechanical puppet installations is on permanent display at the Science Museum in London in the Information Age gallery.

Drip is Matthew’s second song-writing collaboration with Tom Wells, they previously worked together on Tom’s play Broken Biscuits in 2016.

You can visit sadlucy.com

Tom Wells Writer

Tom is from Kilnsea, East Yorkshire.

Plays include: Me, As A Penguin; The Kitchen Sink (which won the Critics Circle Award for Most Promising Playwright and the George Devine Award); Jumpers For Goalposts; Cosmic; Folk; and Broken Biscuits. Tom has also written Ben & Lump (Channel 4); Jonesy (BBC Radio 4); and pantos for Middle Child, Hull and the Lyric, Hammersmith. He is currently under commission to the Royal Court and the National Theatre.

Josh Tucker Actor

Josh trained at East 15 Acting School. Credits include: The Dip (Bunker Theatre and Edinburgh Festival), Five:Eight (Bernie Grant Arts Centre), Witch, Witch, Witch (Camden People’s Theatre).

Credits whilst training include: Deptford Wives, Macbeth, The Crucible and Jerusalem.

Ideas

Meet the Playwright: Camilla Whitehill
24 July 2017

What is the project you have just worked on with Boundless Theatre? I was a writer on the Commissioners project. I went into a school, met a class of Year…

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Meet the Playwright: Tom Wells
12 September 2017

What is the play you are writing for Script Club in partnership with Boundless Theatre? Drip is a musical comedy about two fifteen-year old friends – Caz, who sets up…

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The Evolution of Script Club
27 September 2017

Jane Fallowfield, director of DRIP, a Script Club production in partnership with Boundless Theatre, talks about the evolution of Script Club, and the ideas which fueled its development. In 2013,…

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